Welcome to the Koninklijk Conservatorium Brussel!
With a Bachelor and Master of the Brussels Conservatoire you are set for an inspiring professional career! If you want to join an international orchestra or end up doing something entirely different with your degree, our programmes are the ideal preparation for a bright future.
The KCB focusses on the broad artistic formation of each individual. The lessons are based on direct interaction between teacher and student due to the small amount of students in each class. The great number of orchestral productions each year allows us to gain experience on the stage and learn the ins and outs of the greatest pieces is in music history.
|Required Subjects||Ba1 (Credits)||BA2 (Credits)||BA3 (Credits)|
|Main instrument I, II, III||18||18||24|
|Chamber Music I, II, III||6||6||6|
|Repertoirestudy/sight reading 1, 2||3||3|
|Theorie of hist.performance practices. 1, 2, 3||6||6||6|
|Philosophy and aesthetics of early music 1||3|
|Theory and ear training 1,2||4||4|
|Rhythm and intonation 1,2||5||5|
|Harmony and analysis 1,2||9||9|
|History of Music||6|
|Modules History of Music||6||6|
|Formal analysis 1||6|
|Posture and movement||3||3|
|History of culture||3|
|Required Subjects||MA1 (Credits)||MA2 (Credits)|
|Main instrument IV, V (Master exam)||27||30|
|Chamber Music 4, 5||9||12|
|Repertoire study/Sight reading 3||3|
|Theory of historical performance practice 4, 5||6||6|
|Philosophy and aesthetics of early music 2||3|
|Study of sources/edition||6|
|Artistic Research Practices||3||6|
In order to develop your talents to the fullest you need a teacher that is capable to help and motivate you in the right way. Our teaching staff is world renowned and have years and years of experience both as performers but also as pedagogues.
Do you have any specific questions before you register for the admission tests? Would you like to meet your teacher before you take the big step? Below is a list of all teachers with contact information.
Frank Theuns studied at the ‘Koninklijk Muziekconservatorium Brussel’. His interest in historical instruments brought him to old music from a very young age, by playing traverso and recorder.
With his ensemble 'Les Buffardins' he released a representative choice of the traverso literature on CD for the label Accent. These recordings were often awarded by the international music press (Diapason d'Or ......). In 2006 he recorded the flute-harp concerto by W.A. Mozart with Anima Eterna Brugge led by Jos Van Immerseel.
Since 1989 he is professor traverso at the Koninklijk Conservatorium Brussel and at Luca, School of Arts Leuven. He is regularly invited for giving masterclasses at Conservatorio del Esmuc Barcelona, Koninklijk Muziekconservatorium Den Haag, ‘Internationale Händel-Akademie Karlsruhe, ‘International Flute symposium’ Atlanta, ‘Schwetzinger Hofmusik-Akademie’....
As a soloist and solo-flutist of Anima Aeterna Brugge, Europa Galante and La Petite Bande he played in the most important international concerthalls like Carnegie Hall New York, Concertgebouw Amsterdam, Wiener Musikverein etc.
Winner of the Cziffra Foundation's annual auditions, Anna Besson studied modern and early flutes at the Conservatoires Supérieurs de Musique de Paris and Geneva.
As an active and versatile performer, Anna has spent several years developing her experience as a soloist and orchestral musician within ensembles such as orchestre of Opéra de Paris, La Chambre Philharmonique, Le Concert Spirituel, Insula Orchestra, Le Concert d'Astrée, Orfeo 55, La Grande Ecurie et la Chambre du Roi, Insula Orchestra and as a founding member of quartet Nevermind.
She has also played in such prestigious concert halls and festivals as Boston Early Music Festival, Utrecht Early Music Festival, MA Festival Bruges, Salzburger Festspiele, Royaumont, Via Staelle, Festival Mezzo, Barbican Center, Melbourne Recital Center, Hamburg Philharmony, Opera
de Paris, etc.
As a founding member of a nocte temporis (dir. Reinoud Van Mechelen), Anna searches for ways to use her music to transcend the 18th- and 19th-century chamber music repertoire with flute. "Erbarme dich", their début CD on the Alpha Classics label, has been released to critical acclaim (CHOC de Classica, five Diapasons, Price Caecilia) and features JS Bach works for tenor and traverso.
As a soloist, her discography includes Telemann's « Concerto for traverso and recorder » with Erik Bosgraaf (Brilliant classics), Molter's « Concerto for traverso in D major » with Die Kölner Akademie (CPO), « The Dubhlinn Gardens » -18th Century Irish music with a nocte temporis (Alpha), Telemann's « Parisian Quartets » with quartet Nevermind (Alpha Classics) and next fall will be released her first solo album for romantic flute with fortepianist Olga Pashchenko featuring works by Beethoven, Kuhlau, Doppler and Walckiers (Alpha).
In addition, passionate about traditional music and dance, the intense focus on the Irish flute leads her to make researches about Irish repertoire of the 18th- and 19th-century.
Equally at home on the traverso, modern flute and romantic flute, Anna is regularly invited to give masterclasses in France and abroad and was jury member of the International Van Wassenaer Chamber Music Competition in Utrecht in 2018.
As of the academic year 2020-2021, Anna Besson teaches Traverso at the Koninklijk Conservatorium Brussel, succeeding Frank Theuns.
To start your study at the Koninklijk Conservatorium Brussel you will have to pass an artistic admission test. Most specializations have two sessions: one before the summer break and one in September. As candidate-student you can register for one of these sessions.
For information regarding the admission tests like dates, the programme you need to prepare and the admission requirements and costs you can click on the picture below:
For more information on this programme you can contact the student administration via firstname.lastname@example.org.